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Virginia SOL-style Practice Test 1 — Reading (Grade 8)

A free Virginia Standards of Learning (SOL) tests practice paper for Grade 8 in the format of the real test: 40 questions in 90 minutes, covering Section A — Passages 1 and 2; Section B — Passages 3 and 4; Section C — Passage 5 and Paired Passages 6 and 7. Suggested time 90 minutes (the real test is untimed). Read each passage carefully, then choose the best answer or write a one-word answer. You may look back at the passages. Answer every question. Attempt it online — every question is marked instantly and the correct answers are shown at the end.

Virginia SOLGrade 840 questions40 marks90 minutesOnline, marked instantlyFREE

Free · attempted online · no download

⏱ 40 questions
Section A — Passages 1 and 2
Passage 1: Second Chair (short story)

For three weeks, the audition piece had followed me everywhere. I heard it in the hum of the refrigerator, in the squeak of my sneakers on the gym floor, even in the rhythm of my little brother's spoon against his cereal bowl. Sixteen measures of Mr. Alvarez's choosing, with a high B-flat perched at the end like a bird that might fly off if you breathed on it wrong.

The prize was first chair in the Honor Band: the seat on the end, the solos, the nod from Mr. Alvarez before every concert. Only two of us had a real chance at it, me and Jonah Pike.

Jonah and I had been trading places since fifth grade. When he got a new mouthpiece, I saved my birthday money for one. When I learned double-tonguing, he learned it the next week, faster. We were friends the way two runners in neighboring lanes are friends: close enough to hear each other breathing, never quite looking over.

On audition day, I got to the band room twenty minutes early. My case held everything I needed: my trumpet, two copies of the music, a pencil, and the little bottle of valve oil my grandfather had given me when I started playing. "A sticky valve can ruin a perfect note," he'd said, pressing it into my palm. "Always carry your own." I had never once needed it.

Jonah was already there, warming up in the practice room across the hall. Through its narrow window I watched him run the piece, and my stomach dropped. His high B-flat didn't wobble or crack. It floated, round and easy, as if it had been waiting there all along.

Then, on his second run-through, something went wrong. His third valve stuck halfway down, and the note came out as a strangled honk. He pressed it again. Stuck again. He pulled the valve out, stared at it, and looked around the empty practice room as though the answer might be taped to the walls.

"Jonah Pike," Mr. Alvarez called from the band room door. "You're up in five minutes."

I knew exactly what I had in my case. I also knew, with a clarity that embarrassed me, what would happen if I left it there. Jonah would walk in with a valve that stuck, and I would walk in after him with nothing to lose.

I told myself it wasn't my job to fix his trumpet. I told myself he should have brought his own oil. I told myself a lot of things in about ten seconds, and none of them sounded like anyone I wanted to be.

I crossed the hall, opened the practice-room door, and held out the bottle. "Three drops," I said. "Work it in slowly."

He looked at the bottle, then at me, for a long moment. "Are you sure?"

"Just take it before I change my mind."

He took it.

Jonah played first. Through the door I heard the whole piece, and the B-flat soared the way it had in the practice room, maybe better. When he came out, he pressed the bottle back into my hand without a word, but his ears were bright red, and he wouldn't meet my eyes.

My turn went fine. Not perfect (I rushed the second line, and my B-flat was more of a careful landing than a flight), but fine.

The list went up on Friday. Jonah Pike, first chair. Lena Ruiz, second chair.

I read it twice, waiting to feel the sting. It came, a little. But it was smaller than I expected, like a splinter instead of a cut.

At rehearsal that afternoon, Mr. Alvarez stopped beside my chair. "Jonah told me about the valve oil," he said quietly. "Talent is common, Ms. Ruiz. The other thing isn't." Then he walked back to the podium and raised his baton as if he'd said nothing at all.

Jonah pulled his chair a little closer to mine, and for the first time all year, we shared a music stand.

Q1. The narrator says the high B-flat is "perched at the end like a bird that might fly off if you breathed on it wrong." This comparison suggests that the note is

the loudest and most exciting part of the piece
difficult to play and easy to lose control of
a sound that reminds the narrator of nature
the part of the piece Mr. Alvarez likes best

Q2. Read this sentence from the story.
We were friends the way two runners in neighboring lanes are friends: close enough to hear each other breathing, never quite looking over.
What does this comparison reveal about Lena and Jonah?

They first met each other on the school track team.
They have stopped speaking since the auditions were announced.
They help each other practice whenever they can.
They are close, but they are also always competing with each other.

Q3. Why does the author include the grandfather's advice, "A sticky valve can ruin a perfect note. Always carry your own"?

to prepare the reader for a problem that happens later in the story
to show that the grandfather was a famous trumpet player
to explain why Lena arrives at the band room early
to suggest that Lena's trumpet is old and in poor condition
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